Archivo:Jeanchervrot miniature.jpg

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Jeanchervrot_miniature.jpg ‎(108 × 183 píxeles; tamaño de archivo: 32 KB; tipo MIME: image/jpeg)

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DescripciónJeanchervrot miniature.jpg	Français : Jean Chevrot, détail des chroniques de Hainaut par Rogier van der Weyden (1399/1400–1464)
Fecha	30 de diciembre de 2012, 22:18:07
Fuente	Chroniques de Hainaut
Autor	Rogier van der Weyden (1399/1400–1464)

ColorRegions

#	Color	Delta E	RGB			Confidence	Coverage	Position	Center
1	PMS 19-3909 TPX (Black Bean Pantone)	13.580	(24,12,20)			0.819	0.247	(23,0,84,111)	(77,38)
2	PMS 18-1555 TPX (Molten Lava Pantone)	2.566	(181,53,41)			0.820	0.249	(5,65,91,88)	(52,107)

ColorAverage

Color	Delta E	RGB			Peaks	Gradient
PMS 19-1540 TPX (Burnt Henna Pantone)	2.250	(121,51,47)			0.859	0.202

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Dimensions	Mode	Format	Filesize	Palette	Length	MIME
(108, 183)	RGB	JPEG	32645	-	1	image/jpeg

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Picasa

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WEYDEN, Rogier van der

(b. 1400, Tournai, d. 1464, Bruxelles)

Miniature from the first page of the Chroniques de Hainaut 1448 Opaque colours, gold, and pen and ink on parchment Bibliothèque Royal de Belgique, Brussels

Although Duke Philip the Good often visited Brussels, there is no record of his ever having ordered a religious painting from Rogier. On the other hand, he did commission two portraits of himself from the artist. The originals are not extant, but have come down to us in many copies, so that they must in a certain sense have been official portraits of the duke. However, the original of one work done for Philip by Rogier's own hand is extant; surprisingly, this is not a panel painting but a miniature. It adorns the first page of the first volume of a French translation of the Hainault Chronicle, one of three extremely magnificent historical works commissioned by the duke in 1446 with a view to legitimising his claims to power and territory. Rogier's miniature was probably painted at the beginning of 1448, when the text had been written out by scribes.

It was not unusual for 15th-century panel painters to turn to book illumination at times, and although there is no documentary evidence that Rogier himself painted this miniature, its style admits little doubt of his authorship. In contrast to older traditions, and unlike the other illustrations in the chronicle, its concept is entirely that of a panel painting. Light and shade and material reality are depicted as convincingly as in a large painting, and the faces of the main figures, in spite of their small size, are outstandingly good portraits and very typical of Rogier's work. There are hardly any other genuine portraits in illuminated books as a whole. Chancellor Nicolas Rolin, for instance, is known to us from panel paintings by Jan van Eyck (Louvre, Paris) and by Rogier (Musée Hôtel-Dieu, Beaune); he is easily recognizable as the blue-robed man in the scene of the presentation of the book, and Bishop Chevrot, beside him, can also be

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	Este archivo está disponible bajo la licencia Creative Commons Dedicación de Dominio Público CC0 1.0 Universal.
	La persona que ha asociado una obra a este documento lo dedica al dominio público mediante la cesión mundial de sus derechos bajo la ley de derechos de autor y todos los derechos legales adyacentes propios de dicha, en el ámbito permitido por ley. Puedes copiar, modificar, distribuir y reproducir el trabajo, incluso con objetivos comerciales, sin pedir aprobación del autor. CC0falsefalse

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	Fecha y hora	Miniatura	Dimensiones	Usuario	Comentario
actual	23:28 30 dic 2012		108 × 183 (32 KB)	Xaviateur	User created page with UploadWizard

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Nicolas Rolin

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Este archivo contiene información adicional, probablemente añadida por la cámara digital o el escáner usado para crearlo o digitalizarlo. Si el archivo ha sido modificado desde su estado original, pueden haberse perdido algunos detalles.

Autor	Picasa
Fecha y hora de la generación de los datos	22:18 30 dic 2012
Software usado	Picasa
Fecha y hora de modificación del archivo	22:20 30 dic 2012
Versión de Exif	2.2
ID único de imagen	cab7408c3bfaacaec798e57e2d04c880
Versión IIM	4
Comentario de archivo JPEG	WEYDEN, Rogier van der (b. 1400, Tournai, d. 1464, Bruxelles) Miniature from the first page of the Chroniques de Hainaut 1448 Opaque colours, gold, and pen and ink on parchment Bibliothèque Royal de Belgique, Brussels Although Duke Philip the Good often visited Brussels, there is no record of his ever having ordered a religious painting from Rogier. On the other hand, he did commission two portraits of himself from the artist. The originals are not extant, but have come down to us in many copies, so that they must in a certain sense have been official portraits of the duke. However, the original of one work done for Philip by Rogier's own hand is extant; surprisingly, this is not a panel painting but a miniature. It adorns the first page of the first volume of a French translation of the Hainault Chronicle, one of three extremely magnificent historical works commissioned by the duke in 1446 with a view to legitimising his claims to power and territory. Rogier's miniature was probably painted at the beginning of 1448, when the text had been written out by scribes. It was not unusual for 15th-century panel painters to turn to book illumination at times, and although there is no documentary evidence that Rogier himself painted this miniature, its style admits little doubt of his authorship. In contrast to older traditions, and unlike the other illustrations in the chronicle, its concept is entirely that of a panel painting. Light and shade and material reality are depicted as convincingly as in a large painting, and the faces of the main figures, in spite of their small size, are outstandingly good portraits and very typical of Rogier's work. There are hardly any other genuine portraits in illuminated books as a whole. Chancellor Nicolas Rolin, for instance, is known to us from panel paintings by Jan van Eyck (Louvre, Paris) and by Rogier (Musée Hôtel-Dieu, Beaune); he is easily recognizable as the blue-robed man in the scene of the presentation of the book, and Bishop Chevrot, beside him, can also be

Archivo:Jeanchervrot miniature.jpg

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Jean Wauquelin presenta su 'Chronique de Hainaut' a Felipe el Bueno

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