Orfeo ed Euridice

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Algarotti by Jean-Étienne Liotard in the Rijksmuseum

Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.

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Libretto (Italian) Libretto (Italian) www.karadar.com/Librettos/gluck_Orfeo.html - Web

Libretto of the 1774 Paris version Libretto of the 1774 Paris version opera.stanford.edu/iu/libretti/orphee.html - Web

Piano Vocal Score – English and Italian Piano Vocal Score – English and Italian www.dlib.indiana.edu/variations/scores/bfk4074/large/index.html - Web

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Synopsis of Orfeo ed Euridice Synopsis of Orfeo ed Euridice www.metoperafamily.org/.../synopsis.aspx?id=173 - Web

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